85 SHOP TALK - Oct. 15, 2024
Topics Addressed in this Session:
Image critique of Richard's IR images, one for composition and the other for colors. We added a Color Lookup Table to keep the vibrant hues of the IR 590 nm filter.
Horizontally straightening Cheryl's image, added a few tweaks to the color of the ground. And, we tried but not much success to darken the tone of the left pink wall.
In Susan's image, we moved the guy on the scooter to the fore and blended him in with the Auto-Blend feature - it did a great job!
Lastly, in Mallory's image, we saw how, when photographing an actual painting, it needs to be straightened and we saw how to change the color of the background (of the wall it's on).
Topics Addressed in this Session:
Image critique of Richard's IR images, one for composition and the other for colors. We added a Color Lookup Table to keep the vibrant hues of the IR 590 nm filter.
Horizontally straightening Cheryl's image, added a few tweaks to the color of the ground. And, we tried but not much success to darken the tone of the left pink wall.
In Susan's image, we moved the guy on the scooter to the fore and blended him in with the Auto-Blend feature - it did a great job!
Lastly, in Mallory's image, we saw how, when photographing an actual painting, it needs to be straightened and we saw how to change the color of the background (of the wall it's on).
Topics Addressed in this Session:
Image critique of Richard's IR images, one for composition and the other for colors. We added a Color Lookup Table to keep the vibrant hues of the IR 590 nm filter.
Horizontally straightening Cheryl's image, added a few tweaks to the color of the ground. And, we tried but not much success to darken the tone of the left pink wall.
In Susan's image, we moved the guy on the scooter to the fore and blended him in with the Auto-Blend feature - it did a great job!
Lastly, in Mallory's image, we saw how, when photographing an actual painting, it needs to be straightened and we saw how to change the color of the background (of the wall it's on).